Directory

A+C isn’t an animation rep based in an office in London. It’s a group of stop-motion specialists homed inside a carefully curated studio, evolved to produce industry-leading commercials.

Our team of animators, technicians and producers combine traditional handcrafted techniques with the latest digital technology to create animated content for clients internationally. Every one of our team members has a passion for stop-motion animation, reaching for the highest quality with every frame. The magic of this craft is convincing, compelling and captivating; we hope that through working with us, you will feel that too.

We have worked with big brand names such as LEGO, British Airways, TK Maxx, Royal Mail and Cadbury and agencies such as Ogilvy, McCann, BBDO, Havas, and Publicis.

Primary Activity: Animation Production

See news about A+C Studios

Operating from their base in the heart of Soho, London, Aquarium Studios have offered post production services to the UK TV Drama, Feature film and Video games industries since 1997. 

To complement their triple-BAFTA-winning audio team, Aquarium are pleased to offer an in-house partnership with Dirty Looks, and now offer Baselight colour grading and online editing all withing their Wardour Street premises. With studios in Belgium and Ireland, Aquarium are ideally placed to provide post services on European co-productions.

Facilities include Voice Booths with source connect, Stereo, 5.1 Mixing Theatres, Foley recording, ADR stages, an ensemble recording space for up to 7 actors, as well as a number of bright and airy cutting rooms available for hire. Aquarium has Studios to suit all budgets and all project types, from Feature Films to Corporates, TV Drama to Computer Games.

Aquarium have been responsible for Audio Post on numerous film and drama projects including; Disobedience, Merlin, Whitechapel (S3), Ripper Street (S1), Atlantis.

With Three BAFTA’s and seven nominations, Aquarium is one of Soho’s most accomplished specialist audio post-production companies, who represent a wide range of Audio Talent including Mixers, ADR Recordists, & Sound Editors. This allows them to match the perfect individual or team to your project, ensuring you get specialists at every level.

Primary Activity: Audio Post Production

See news about Aquarium Studios

Bluebolt’s  team has extensive experience on productions of all scales, priding themselves on delivering the very best quality and service from concept and pre-production, through shoot supervision to final delivery.

Some of BlueBolt’s credits include: Season One of Game of Thrones, The Little Drummer Girl, Skyfall, The Night Manager, Peaky Blinders and Mission Impossible – Fallout, winning BAFTA, AEAF and VES awards and two Emmy Nominations.

Primary Activity: VFX

See news about Bluebolt

CAKE is one of the world’s leading independent entertainment companies specialising in the production, distribution, development, financing and brand development of kids’ and family properties.

CAKE Distribution Ltd distributes over 1600 half hours of animation and live-action content, working with renowned producers including Rovio Entertainment, Fresh TV, Channel X, Kickstart and Ragdoll Productions on the worldwide roll out of their brands.

CAKE Productions Ltd supports CAKE’s development and production activities on shared and originated projects. With over 13 properties in development, productions include Angry Birds: Summer Madness for Netflix; Mama K’s Team 4 with Triggerfish Animation for Netflix; Angelo Rules with TeamTO for France Televisions, Canal+ and Super RTL, Space Chickens in Space with Anima Estudios for Disney EMEA; Pablo with Paper Owl for CBeebies and Mush-Mush & The Mushables with La Cabane and Thuristar currently premiering internationally on Boomerang.

An award-winning company, CAKE is based in London.

Primary Activity: Animation Distribution

Other Activities: Animation Distribution, Animation Production, Content distribution, Production

See news about Cake

UNITING FILM AND DIGITAL EXPERTISE

Cinelab Film & Digital is the UK’s only full service Film Laboratory and Digital Dailies Facility.

Our focus is always on delivering excellent service; by partnering with all clients and offering the very best talent, quality, technology, and expertise. From your initial enquiry, you will know your dedicated contact, ensuring ease of communication.

We are proud to have partnered with over 600 Cinematographers creating premium entertainment in feature films, episodic tv, commercials and music videos.

Uniquely, all film and digital services are located under one roof; all projects are managed by one brilliant team comprised of producers, skilled technicians, film and digital specialists and dailies colourists. We provide individual and comparative film and digital quotes if needed, often helpful when a decision is still to be made on shooting formats.

Best of all, moving dailies between facilities are no longer necessary, helping save time and money, offering added security and greater creativity.

Cinelab Film & Digital is easily accessible to international clients due to our proximity to Heathrow, enabling efficient and safe delivery of rushes from around the world.

Recent Feature credits include James Bond ‘No Time to Die’, ‘Last Night in Soho’, ‘Censor’, ‘Fantastic Beasts 3’ and ‘The King’s Man 3’.  Episodic credits include ‘The Witcher, Succession, Small Axe and Discovery of Witches.

www.cinelab.co.uk  Telephone: 0044 +1753 501500

Primary Activity: Film Laboratory

Other Activities: Archiving, Colour Grading, Dailies, Digital Intermediate, DIT services, Film Lab, Film Scanning, Restoration

See news about Cinelab Film & Digital

Clear Cut Pictures is an award winning London Post Production Facility with an enviable reputation for delivering quality Avid and Final Cut Pro based post production at an affordable budget.

Clear Cut are one of the most popular post production facilities in the UK and have a reputation for their technical infrastructure which is well suited to quick turnaround programming.

Clear Cut Pictures have 70 Cutting rooms across our three sites – 25 at their original base in Shepherds Bush, West London, 11 in their facility on Newman Street in Soho and 25 in their Bloomsbury site.

The three sites have over 200TB of networked editing storage and are connected by 2 x 10gb fibre lines, allowing access to material at either location.

Onlines are delivered over five Symphony Nitris HD or FCP HD Online suites. Specialist grading facilities include Nucoda Film Master, DaVinci Resolve and Final Cut Pro Color.

The company’s award-winning Audio department has eight state of the art Pro Tools dubbing theatres five of which are 5.1 mix capable, four Voiceover booths and with a multi-talented sound team we are perfectly set up to handle any job. Additional facilities include ISDN Voice-over, ADR and Foley.

Other Activities: Audio Post Production, Colour Grading, Deliverables, Offline Editing, Online Editing, Post Production, Track laying, Voiceover recording

Primary Activity: Post Production

Other Activities: Audio Post Production, Colour Grading, Deliverables, Offline Editing, Online Editing, Post Production, Track laying, Voiceover recording

See news about Clear Cut Pictures

Founded in 2012, Cloth Cat is now one of the leading animation and games companies in the UK and we’re based in the heart of Cardiff, the capital city of Wales. We have over 100 hours of content under our belts and we are always looking for new and exciting projects to bring to life. We’ve worked on a wide range of projects for clients all over the world, and our focus is on creating characterful content for all age groups.

Our animation projects include Luo Bao Bei (International Emmy nomination 2019), Shane the Chef, Olobob Top, Cyw, The Rubbish World of Dave Spud, Toot the Tiny Tugboat and the award-winning Ethel & Ernest which was released in cinemas in 2016. Our games include Byd Cyw, Eloise Hotel, Mabinogi-Ogi and Toot’s Race, and we’ve won a number of BAFTA awards for our work on games for Toot the Tiny Tugboat and Boj. We’ve collaborated on multiple projects with international partners and are one of the few studios able to handle a series from development all the way to platform delivery. We take great pride in our creative ideas and our technical wizardry, bringing both together to provide unique solutions for our clients and making the best animation we possibly can.

Cloth Cat is a proud supporter of the animation community and regularly contributes to Animation UK, The Children’s Foundation, PACT, Screen Skills, and a large number of local and national universities. We also sponsor the local Cardiff Animation Nights and were major contributors to the Cardiff Animation Festival, which celebrated its return in 2018. Cardiff has a notable history of animation production and Cloth Cat are delighted to continue this legacy for both Wales and the UK.

Primary Activity: Animation Production

See news about Cloth Cat

Founded in 1997, Company 3 is a comprehensive post-production facility for features, commercials and music videos.

Known for its creative colour artistry, pioneering technology and global reach, Company 3 is trusted to deliver a quality product every time. It is home to one of the largest and most talented pools of colourists and visual effects artists working in post-production today with a client list that includes many of the most respected and talented film and entertainment professionals in the industry.

Company 3 offers solutions-based services ranging from colour correction, Digital Intermediate (DI) and file-based workflows to visual effects and online services. Through its virtual outposts, Company 3 Colourists are available to clients around the world.

Specialities include: Colour grading, Digital intermediate, On-set services, Visual effects, and Beauty.

Primary Activity: Post Production

Other Activities: Digital Intermediate

See news about Company 3

Founded in 2010 by Tom Balkwill, Dirty Looks is an independent picture post-production house headquartered in London’s West End, with a branch in central Brussels. They specialise in colour grading and mastering independent feature films and broadcast dramas. Over the last decade they have worked on many critically acclaimed projects including: 

– Danny Boyle’s films for the 2012 London Olympics Opening Ceremony 

– Jonathan Glazer’s UNDER THE SKIN and more recently, THE ZONE OF INTEREST 

– William Oldroyd’s LADY MACBETH 

– Shane Meadows’ television series, THE VIRTUES 

– Sebastián Lelio’s, DISOBEDIENCE and THE WONDER 

They are committed to net zero emissions by 2040 and they strive to inspire positive change within their company and across the post-production industry, demonstrating that artistry and high-end technology can coexist with environmental responsibility.

Primary Activity: Post Production

Other Activities: Colour Grading, DCP mastering, Deliverables, Digital Intermediate, Online Editing

Double Negative (DNEG) is one of the world’s leading visual effects, animation and stereo conversion companies for feature film and television, with studios in London, Vancouver, Mumbai, Los Angeles, Chennai, Montréal, Chandigarh, Hyderabad and Goa.

Since DNEG’s first studio opened in London in 1998, they have always thrived on collaboration and the creative energy this provides, dedicated to delivering excellence on every project. DNEG brought home the Oscar for “Best VFX” for three out of the last four years. In total, DNEG has been honoured with 4 Academy Award wins, 4 BAFTA Awards and 8 Visual Effects Society Awards for their visual effects work on “Blade Runner 2049”,”Dunkirk”, “Ex Machina”, ”Interstellar”, ”Inception” and “Harry Potter and The Deathly Hallows Part 2”.

DNEG craft spectacular visuals for some of the world’s biggest films. Recent work includes Pacific Rim Uprising, Annihilation, Black Panther, Justice League, Thor: Ragnarok, Blade Runner 2049, Dunkirk, Baby Driver and Wonder Woman. Their Feature Animation division collaborates with filmmakers and IP owners to create high-end animated feature films.

DNEG’s TV VFX division tailors our experience, skills and pipeline for the specific needs of high-end television programming. Recent TV projects include Altered Carbon, Black Mirror Season 4, Marvel ‘s Inhumans, Krypton, Strike – The Silkworm and BrainDead.

DNEG’s industry-leading stereo conversion team has delivered some of Hollywood ‘s biggest theatrical 3D experiences, including Pacific Rim Uprising, Beauty and the Beast, Transformers: The Last Knight, Kong: Skull Island and Gravity.

Primary Activity: VFX

Other Activities: VFX

See news about DNEG

Do it Creative, is a trailblazing VFX company nestled in the heart of London. We’re in the business of weaving magic into every frame, crafting extraordinary visual experiences that captivate audiences and elevate storytelling to new heights. We specialize in delivering top-tier visual effects for film, television, advertising.
Our talented team of seasoned artists, animators, and designers are the lifeblood of our operation, dedicated to pushing the envelope and setting new standards in the industry. With an unwavering commitment to detail and innovation, we turn our clients’ visions into mesmerizing realities. Whether it’s intricate CGI, seamless compositing, dynamic motion graphics, or stunning 3D animation, we pour our heart and soul into every project.
Collaboration is the cornerstone of our approach. We partner closely with our clients, ensuring a seamless workflow from concept to completion. Our process is designed to meet deadlines and stay within budget, without compromising on quality. We understand the unique challenges and ambitions of both large studios and independent filmmakers, offering personalized solutions that align with their creative goals.
Our trophy cabinet is a testament to our excellence, boasting prestigious awards that underscore our dedication to the craft. Trusted by directors and production houses from across the globe, our visual effects have left an indelible mark on the industry. Each project we undertake is an opportunity to break new ground, explore cutting-edge techniques, and deliver results that not only meet but exceed expectations.
At Do it Creative, we believe in the power of visual storytelling. We are not just a service provider; we are your creative partner. Trust us to be the wind beneath your wings, turning your vision into a visual masterpiece. Whether you’re looking to dazzle audiences with ground-breaking effects or enhance your narrative with subtle visual nuances, Do it Creative is here to set the world alight with our creativity.

Primary Activity: VFX

Other Activities: ADR, Animation and VFX, Animation Distribution, Animation Production, Animation Services, Audio Post Production, DCP mastering, Deliverables, Design, Digital Intermediate, DIT services, Equipment Hire, Film Lab, Film Recording, Film Scanning, Fixed Rig Services, Foley, Immersive (AR/VR), Localisation, Motion Capture, Motion Graphics, Music Recording, Offline Editing, Online Editing, Post Production, Post Production Accountancy, PreViz, Production, Production Services, QC services, SFX, Studio Facilities, Subtitling, VFX, Virtual production, Voiceover recording

Eagle Vs Bat is a TV production company based in the UK on the beautiful coast of North Devon. Founded in 2018 by Erica Angell (formerly Erica Darby) & Tom Angell, and combining their many years’ of experience in both the kids TV, and the music and sound industries, EVB creates and develops its own original IP. The company has an eclectic slate of development properties ranging from adult live action to kids’ series and shorts, and strives to be bold and unique with everything it produces.

We are currently in production on our first major UK kids’ series, the Sound Collector. We are the creators and showrunners of this live action and stop frame animation series, commissioned by ITV in the UK and Rai in Italy.

Primary Activity: Animation Production

Other Activities: Animation Production, Audio Post Production, Design, Foley, Music Recording, Production, Production Services, Track laying, Voiceover recording

See news about Eagle Vs Bat

Electric Theatre is an independent, award-winning collective comprised of a super-talented, diverse bunch of artists, makers and innovators.

“Electric Theatre Collective is home to the best talent in the business across all visual creativity disciplines; CGI, 2D, animation and colour grading. We’re obsessed with producing the most creative, visionary and quality work in the industry.

In nearly 10 years we’ve grown from 4 people to having studios in London, LA and Bristol. We embrace technological advancement and celebrate and nurture the best people, creating the perfect blend of youth and experience.

We pride ourselves on creating unique, experimental work that combines the cultural interest of art with the polish and accessibility of commerce. It’s this ethos that has seen us establish ourselves as one of the world’s foremost VFX companies garnering accolades globally, continually ranking in the top 3 visual effects companies in the world.”

View Electric Theatre Collective latest show-reel here: https://electrictheatre.tv/showreels/company-reel

Primary Activity: VFX

Other Activities: Colour Grading, VFX

See news about Electric Theatre Collective

Fifty Fifty are a full-service, independently owned post and production house based in the heart of London ‘s Soho.

Fifty Fifty specialise in broadcast, commercials and content. Our focus on personal client partnerships helps us to deliver the very best creative and technical solutions for every job. By getting to know every client we understand their needs and how they like to work which helps us to devise bespoke workflows to produce the most creative content for honest budgets across all media platforms.

Fifty Fifty are commissioned by production companies, brands and agencies big and small to handle projects from concept to delivery, ardent investors in talent who put technical excellence on the front line to provide sage advice directly to clients to maximise efficiency creativity and cost.

Clients include: ITV, Havas Worldwide, BBC, Saatchi & Saatchi, Freedman International, BBC Three, Oglivy, Channel 4, Royal Opoera House, National Geographic Channel, +more.

Primary Activity: Post Production

Other Activities: Audio Post Production, Colour Grading, Offline Editing, Online Editing, Post Production

See news about Fifty Fifty Post Production

Founded in 1990, Films at 59 has grown steadily in size with sites in both Bristol and Cardiff and collaborative working relationships worldwide.  Our Kit Hire and Post Facilities are second to none and we are committed to investing in the people and technologies that enable our clients to create and deliver world class content.

By delivering personal, flexible and innovative solutions, we will enable our clients to achieve their ambitions. We will work hard to ensure that we remain a financially viable, sustainable business, treating everybody with respect.

We’ve built our name on the strength of our people. Everyone at Films at 59 shares a belief in professional, personal and flexible service. Whether you have a 1-minute promo, a 12-hour series or a feature film, you will have our undivided attention and the same level of award-winning service our Clients have come to expect.

Primary Activity: Post Production

Other Activities: Audio Post Production, Colour Grading, Deliverables, Equipment Hire, Offline Editing, Online Editing, QC services, Voiceover recording

See news about Films@59

Flying Duck Studio Lab is an ethical and inclusive film and design studio powered by ducks.

We specialise in animation and design, producing the highest quality of compelling, visually stunning, and story-driven content, with the best team from all around the world. A hybrid duck with a beautiful studio in Hebden Bridge, working on-site and remotely.

We cover; Advertisement, Branding, Marketing, Social Media, Short & Feature films, Music Videos, Documentary, Interactive, VFX, Motion Graphics, Movie Titles and anything related to visual media.

We make the high-quality production available to everyone with optimised workflows, tools, and our diverse pool of artists.

Primary Activity: Animation Production

See news about Flying Duck Studio Lab

LIPSYNC Post is an internationally recognised post-house, providing post-production services to the film and television industry for over 30 years. Since 2008, LIPSYNC Productions has invested over £180 million in over 210 feature film and TV projects. With regular festival appearances and over 200 major award nominations and wins, LIPSYNC has become one of the UK’s leading production partners.

Primary Activity: Post Production

Other Activities: ADR, Animation and VFX, Audio Post Production, Colour Grading, Digital Intermediate, Online Editing, Post Production, Track laying, VFX, Voiceover recording

Lupus Films is a London-based production company set up in 2002 by Camilla Deakin and Ruth Fielding to produce high quality films and TV series for children and families.

Lupus Films specialise in animation, using a wide range of techniques from traditional hand-drawn to 2D digital and CGI, and also produce live-action drama and factual entertainment. Lupus Films’ work has been broadcast in the UK on the BBC, Channel 4, Five, ITV, Disney, Cartoon Network and S4C and in over 150 territories worldwide. Their stories fly from the screen into games, merchandise, books, commercials, apps and more.

Lupus Films are best known for adapting well-loved picture books that feature some of Britain’s most loved children’s characters, including ‘We’re Going on a Bear Hunt’, The Snowman (for ‘The Snowman and The Snowdog’), and ‘The Tiger Who Came to Tea’. We also take on original scripts and ideas, to create classic stories for the modern age. Lupus Films’ ambition is to tell stories we love, with people they admire. Crafting productions that are beautiful and distinctive, so they last the test of time. Lupus Films believe in creating stories that stay with us – the ones watched by every generation, year after year.

Lupus Films’ productions have won numerous Kidscreen Awards, a CAMEO Award for Best Book to Screen adaptation, and the Best Children’s Televisual Bulldog Award. They have also been nominated for the BAFTA Children’s Award for Animation, British Animation Awards, Broadcast Awards Best Children’s Programme, and the European Animation Awards.

Specialties: Television, Film & TV Production, Media Production, Film, Broadcast, Digital Media, Family Entertainment, Post Production, Producing, Art Direction, Creative Direction, Factual Entertainment, Drama, Preschool Entertainment, Feature Films, CGI, 2D, Live-action, and Commercials

Primary Activity: Animation Production

See news about Lupus Films

Lux Aeterna is an award-winning VFX studio harnessing the latest technology and boundless creativity. From sketch to screen, we forge creative partnerships to empower the world’s best storytellers. With our world-class pipeline and flexible shot management platform, together we go into the unknown to craft the unexpected: compelling visuals steeped in originality and emotion.

Lux Aeterna creates high-end VFX, specialising in simulation, environment, natural phenomena, crowds, and creative abstract FX. Our Design Team create captivating content that brings your narrative to life. From pre to post production, we empower ambitious storytellers. Our dedicated R&D department keeps us at the cutting edge, always looking and learning, incorporating the latest industry developments at the right time.

Creativity and collaboration are cornerstones. Unlock twenty-five years of progressive experience when you partner with Lux Aeterna. Unparalleled expertise will enhance ideas and exceed expectations. You set the menu, we bring the salt.

Boundless creativity with a technical track record. Efficiency without compromising quality. On time and on budget, but always out of this world. We offer a creative partnership with clients, transcending the threshold of the imagination to create pure cinematic wonder.

Imagine the stories we could tell.

Primary Activity: VFX

Other Activities: Animation and VFX, Dailies, Design, Immersive (AR/VR), Motion Capture, Motion Graphics, PreViz, Production, Production Services, VFX, Virtual production, Voiceover recording

One Of Us is a Soho based studio founded in 2006 by co-directors Tom Debenham, Dominic Parker and Rachael Penfold.

The company ethos is one of creative intelligence applied through filmmakers’ sensibility, with a focus on design and collaboration.

Working across both film and long form, and with experience of all stages of production, from concept through planning, photography and post-production, One Of Us has become an essential studio for visual effects and related work.

With approved vendor status for all major studios, 50% greater artist capacity and infrastructure across both our facilities, we are expanding boutique sensibility into larger scale projects.

Primary Activity: VFX

See news about One Of Us

ONSIGHT is a pioneering facilities company, providing production and post-production services for film and television.

With over 27 years’​ experience, ONSIGHT’s award-winning team of creatives and technical people is renowned for 4K, HD, 3D, and VR services, who help design, execute and ultimately, deliver stunning content for any screen.

ONSIGHT’s objective is to develop a long-lasting relationship by providing comprehensive services to support the production team, offering an attentive and personal service with a flexible approach, which will fit both the creative and financial objectives of clients and their team. ONSIGHT’s committed team of specialist technical and creative staff provide exceptional support in using groundbreaking technology and extend their commitment and accountability for the digital delivery of any project.

While the award-winning post division, based in London, provides digital film, television, giant screen and editing solutions, all fully supported.

Primary Activity: Post Production

See news about ONSIGHT

POST SUPER is a platform created to help and support Freelancers, Post Producers, Supervisors and Coordinators working in Film & High End Television. Key to this is enabling Production Houses, Studios, Creative Producers, Post Producers, Supervisors and Coordinators to effectively plan and execute Post Production, whilst providing a central community to come together through forums and knowledge sharing, to generate streamlined workflows, share best practices and proactively network.

POST SUPER’s aim is to deliver four key areas of support to a globally growing industry. Community, for sharing knowledge and networking. Information, with a Knowledge Hub for Post Management specific material. Training, delivering webinars and specific courses for post supervisors and managers, and Tools, a Post-Production Directory which helps connect post-production Facilities of all types (Picture, Sound & VFX) with the people who are actively looking for those services. This has also now gone one step further with a Freelance and Creative Directory.

Primary Activity: Post Production

Scanline VFX is a global visual effects studio with locations in Munich, Stuttgart, Los Angeles, Vancouver, Montreal, Seoul and London. The company is led by President and Senior Visual Effects Supervisor Stephan Trojansky.

Scanline is noted for its creation of natural phenomena such as fire, smoke and water on disaster epics such as San Andreas and Independence Day: Resurgence. Recent projects include Eternals, Shang-Chi and the Legend of the Ten Rings, and Free Guy for director Shawn Levy. Its work as lead vendor on Godzilla vs. Kong highlights Scanline’s increasing expansion into character and creature work.

Founded in 1989 in Munich, Scanline established itself as an industry leader with the development of its proprietary fluid effects software, Flowline. Scanline was the sole developer of Flowline and in 2008, was the recipient of a Scientific and Technical Achievement Academy Award® for the software.

Scanline was nominated for an Academy Award® for Best Achievement in Visual Effects in 2010 for its work on Clint Eastwood’s Hereafter, for which it was the sole visual effects vendor. The film’s signature sequence was a recreation of the 2004 Indian Ocean tsunami, which TIME Magazine called “the most exciting, expertly assembled flood scene in movie history.” In 2013, Scanline received a BAFTA nomination for its work on Iron Man 3 and in 2015, a second Academy Award® nomination for Captain America: The Winter Soldier.

In 2010, Scanline won its first Visual Effects Society (VES) Award for Outstanding Supporting Visual Effects for Hereafter. Scanline has two Emmy Awards to its credit for its work on Season Four and Season Eight of Game of Thrones as well as an HPA Award for Outstanding Visual Effects and VES Awards for Outstanding Created Environment and Outstanding Visual Effects in a Broadcast Program. In 2021, Scanline received its third Emmy nomination for its work on HBO’s The Nevers.

Primary Activity: VFX

Other Activities: Animation and VFX, Animation Services, Colour Grading, Motion Capture, PreViz, VFX, Virtual production

Snafu Pictures are creative production experts with a distinctive approach to animation, visual effects and project development. Using expertise of narrative as well as design for film/tv, games and brands, we combine creative with technology to develop & produce compelling content.
What unifies our work is a passion for character and craft. What sets us apart is a design acuity, production nouse and a network of pioneering multi-disciplinary creative talents.

With a diverse slate of original productions and co-productions as well as supporting a range of clients from production companies to brands and studios, our work spans the entertainment industry.

As a studio, Snafu is interested in developing authored, character-driven projects; where craft both in visual execution and narrative storytelling is at a project’s core.

Project images: https://snafu-pictures.com/work/

Primary Activity: Animation Production

See news about Snafu Pictures

Spud Gun Studios is a story driven independent animation studio with an unmatched track record in creating online animated content for young viewers.
We are the creative force behind Mashed, one of the biggest online animation channels in the world. Our work has been showcased at major events across the globe, we’ve gone viral more times than we can count, and we’ve created official content for some of the most iconic games and IP around.
To date we’ve created hundreds of animated shorts with over 2 billion views across YouTube, Snapchat, Facebook, Instagram, TikTok, Twitter and more. We understand the hard to reach young male audience and what they want to watch, resulting in us building dedicated communities across the globe that love our content. Mashed combines genuine passion for what we do with high quality content and an instinctive understanding of what fans love.
Our ability to develop, produce and distribute content to an engaged young audience is a unique proposition that other studios cannot offer.
Based in the UK, with a diverse range of collaborators across all major territories, we are very comfortable with a huge range of visual styles and genres, allowing us to create killer content that is tailored to your needs.

Primary Activity: Animation Production

We’re an award-winning and creative-led animation production studio
based in Bristol, known for producing high-quality animation that’s packed
with character.

We spend our days creating content for series, commercials, online and games.
We love what we do and are proud to promote a sociable and inclusive culture
and a positive working environment.

And we’re here to help you connect, inform, inspire and entertain through the
power of 2D and 3D animation. For us, it’s about producing films that tell a story
or bring an idea to life in an inspiring, charming and emotive way.

For you, that means working closely (or as close as you want to) with an experienced
team of directors, animators and designers, led by founders Dylan Shipley and Louis Jones.
We support our in-house animation services with a network of tried, tested and highly
capable partners in scriptwriting, sound production and voice over. Think of us as
‘full-service’, but without the full-service price tag.

We work for all sorts of organisations. From broadcasters to retailers. From ad agencies
to corporates. And from communications consultancies to production companies.

Primary Activity: Animation Production

Other Activities: Animation and VFX, Animation Production, Animation Services, Audio Post Production, Colour Grading, Dailies, Deliverables, Design, Foley, Games or Interactive Design, Localisation, Motion Graphics, Music Recording, Post Production, Production, SFX, Subtitling, Track laying, Virtual production, Voiceover recording

See news about Sun & Moon Studios

The Flying Colour Company is a niche high-end VFX and post production provider based in Soho, London. We specialise in providing high-quality VFX services to high-end broadcast drama productions and independently produced or tent-pole studio feature films.

Based in the heart of Soho, at 42 – 44 Carnaby Street, we are independently owned and highly flexible, with years of experience working at the top level. We pride ourselves on providing solutions and the highest quality service within an efficient and flexible model.

WHAT WE ARE

Effective: We provide a very personal and highly skilled on-set and remote supervision service that lays the groundwork for the VFX magic that follows and also helps to manage costs and expectations throughout the post-production process.

Creative: We use industry leading Flame, Nuke, Maya and Houdini workstations with a plethora of associated outboard software licenses, all of which are attached to a high speed network including an enormous amount of data storage and render power and offer the very best platform for our highly skilled and creative artists to create and deliver their, and your, work on.

Proactive: We also provide data editorial and vfx pulls, colour pipeline and workflow as well as data hosting. Our high-speed data network has been designed to store and manage your rushes from shoot through post. This enables us to do our own data pulls and conforms for our VFX which saves Production time and money.

Primary Activity: VFX

See news about The Flying Colour Company

Established in 1992, The Independent Post Company was conceived as a conduit to the top talent in broadcast television post-production.

Founding partners Mykola Pawluk and Simon Frodsham correctly anticipated the boom in demand for freelance editing talent and the company’s steady growth bears witness to the consistently high service the company provides. IPC began operation in the summer of 1992, initially representing Mykola only. Once the formula and pattern was proven to be successful, the company began to attract other editing talent and it now represents over 130 top freelance editors. IPC exclusively represents editors and only those fully dedicated to producing broadcast television programmes.

As a consequence, IPC’s membership numbers the brightest editing talent in the UK.  Dedicated students of the credit roll will recognise the cream of the IPC roster, but the company is dedicated to finding and nurturing the editing stars of tomorrow as much as sustaining the legends of today. IPC’s history of providing a top service to both its clients and editors has ensured it is the first address for freelance editors looking for representation and the first port of call for anyone looking for topflight editing talent.

Primary Activity: Freelance Crew Agency

See news about The Independent Post Company

West Digital is a boutique post house in the heart of West London that’s been providing innovative and creative audio and picture post production for almost 20 years. We love what we do and we base our company culture on honesty, openness and collaboration. We do our best to support the local community and we endeavour to develop and nurture outstanding technical, creative and client facing talent; we are extremely proud of our amazing team. We have a wealth of experience working across factual, documentaries, entertainment, features, commercials and branded content and we pride ourselves on our open and collaborative approach to every project.

Primary Activity: Post Production

Other Activities: Audio Post Production, Colour Grading, Offline Editing, Online Editing, Post Production

Yellowmoon was established in 1994 by two editors in one cutting room. Today they are the largest facility in Northern Ireland, employing over 30 people, across four buildings that house 25 cutting rooms. Over the course of the last 25 years Yellowmoon have been involved with the vast majority of high–end film and television that has come to NI to be produced.

Primary Activity: Post Production

Other Activities: Audio Post Production, Colour Grading, Offline Editing, Online Editing, VFX, Voiceover recording