Check out which UK Screen Alliance members are winning awards, growing their business, taking on new staff or winning new commissions…
26 October 2020
Outstanding Work Recognized in Colour Grading, Editing, Visual Effects and Sound.
22 October 2020
Borehamwood-based Film and TV studio Elstree has become the first Studio to join Creative England’s new Filming in England Partnership.
21 October 2020
The post production house recently carried out the colour, sound & offline for an exciting karaoke series ‘Sing On’, the Netflix reality tv show hosted by Tituss Burgess.
15 October 2020
One of US Create VFX for HBO’S We Are Who We Are by Academy Award-nominated Luca Guadagnino.
14 October 2020
This month we talk to Alexis Haggar, Visual Effects Supervisor at award-winning independent visual effects studio, Lexhag VFX, about how they recently began working with Arch Platform Technologies; the scalable, pay-as-you-go cloud-based system for content creation.
7 October 2020
The Cambridge-based VFX facility has shared news of a double promotion with a new Head of 3D, and Head of 2D.
30 September 2020
Award-winning audio facility Aquarium Studios have decided to leave their home of 22 years in Wardour Street and enter into a Services Agreement with the Clear Cut Group to facilitate a planned expansion of their business.
29 September 2020
Jellyfish Pictures have announced their Head of IP Development, Natalie Llewellyn, has been appointed Managing Director of Jellyfish Originals, the company's new children’s animation original production division.
25 September 2020
London-based visual effects house Union VFX worked closely in creative collaboration with Director Marjane Satrapi on the film, providing artistic visualisations, period environments, and dramatic sequences using some SFX.
22 September 2020
In a post-lockdown film & TV world, UK Screen Alliance brings together a number of industry experts, from across post-production, VFX and animation, to discuss whether runners an outdated position to recruit.
Grant Scheme established with donations from Amazon Prime Video, BAFTA, BBC, Sky Studios, Sony Pictures Entertainment, and VIACOMCBS
10 September 2020
This month we talk with Co-founder and Company Director Rachael Penfold of One of Us, the London-based studio known for their with an ethos of creative intelligence and masterful focus on design and collaboration. Discussing views on innovative storytelling through VFX, and their roster of incredible projects – past and upcoming.
2 September 2020
The practical guidance and case studies from BFI, Albert and Arup offer insights on how film production can work to meet a net zero target, including use of virtual environments in VFX, CGI, and remote collaboration
27 August 2020
Just 16% of people in creative jobs are from working class backgrounds and those from privileged backgrounds more likely to land a job, experience autonomy and progression, and shape what goes on stage, page and screen.
26 August 2020
Industry trade body, UK Screen Alliance has published version 2.0 of its Guidance for Covid-Safe Working in Post-Production and VFX.
24 August 2020
Post-production house ENVY delivered sound mixing and colour-grading for the raw BBC Two documentary series, 'Once Upon a Time in Iraq', Produced by Keo Films & Directed by multi-award winning director James Bluemel.
21 August 2020
In our August Spotlight feature, we hear from Simon Clarke, Creative Director of Moonraker VFX, discussing the company’s technical and creative expertise providing visuals for TV, commercial, and film, branching out into immersive 3D content, and his views on the continuous necessary adaptation of the VFX industry.
20 August 2020
Union VFX re-created the largest rocket ever planned to be built, in Ronald D Moore's Apple TV+ dystopian drama For All Mankind.
19 August 2020
Working closely with the producers and show-runner Misha Green, Framestore provided a wide range of VFX which can be seen throughout the ten part HBO series.
10 August 2020
DNEG has joined forces with Dimension Studio, Unreal Engine, ARRI, Mo-Sys, 80six, ROE, Brompton Technologies and Malcolm Ryan to explore the future of filmmaking, using LED stages and real-time engines for virtual production.