Check out which UK Screen Alliance members are winning awards, growing their business, taking on new staff or winning new commissions…
30 January 2018
Molinare Sound Designer Jeremy Price’s work on the feature film Baby Driver has been nominated for an Academy Award. Jeremy served as Sound Effects Editor on the film which is up for three Oscars including Best Editing, Best Sound Mixing and Best Sound Editing.
26 January 2018
Creative studio contends Oscar with Blade Runner 2049 and Guardians of the Galaxy Vol. 2.
Visual effects specialist takes leap into VFX for TV.
24 January 2018
Clear Cut Pictures is delighted to announce not one, but two, new additions to their Post Producing team, bringing on board Megan Rutty as a Post Production Producer and Laura Dodd Wild as a Junior Post Producer.
23 January 2018
Cinesite has completed more than 800 shots for StudioCanal and Lionsgate’s The Commuter, which is in theatres now.
22 January 2018
In its 90 year history, Elstree has been the studio of choice for many legendary producers and directors from Alfred Hitchcock, George Lucas, Steven Spielberg and Stanley Kubrick to Danny Boyle, Tom Hooper, Guy Ritchie and Matthew Vaughn.
17 January 2018
Darkest Hour, directed by Joe Wright (Atonement, Pan), is set during the crucial early days of Winston Churchill’s first term as Prime Minister. The film depicts the simultaneous action in the halls of power on both sides of the Channel, as Britain’s armed forces looked destined for defeat in May 1940.
10 January 2018
Welsh post house consolidates its facilities into a single building in £1m expansion.
9 January 2018
Val Douglas has joined Arteus as Senior Editor.
4 January 2018
Molinare has expanded its sales team by hiring two new members.
14 June 2017
The proposal in the Conservative manifesto to double the Immigration Skills Charge to £2000 per year for non-EU workers raised deep concerns amongst the VFX community which employs a significant proportion of overseas talent.
31 March 2016
UK Screen's CEO, Neil Hatton looks at the opportunities and problems posed for our sector by the government's proposed Apprenticeship Levy.
22 April 2014
As the EKOS report on the proposed new film and drama space reports ‘a clear and present opportunity’ Mike Kelt, CEO of Artem and UK Screen Director, sums up progress to date and asks if politics and commercial wrangling over location will further delay this essential development.